#IMPOSTOR FACTORY SOUNDTRACK SERIES#

The game and its characters feel very detached from reality, non-spoiler pun intended. At best, the game elicits a response along the lines of 'aw, that's nice and touching' but you won't actually feel much. And when things take a very dark turn, there is no time for the situation to breathe, as the story simply uses it as a motivational footnote for Lynri's actions. While the game tries to go for the emotional sucker punches, they feel a lot more predictable and manipulative. providing their opposite takes on the situation, or perhaps you're not really dealing with the same set of circumstances as the reason for exploring someone's memories. Partly it's perhaps because you don't have the two Drs. Like the memories in the past games, there are some tough experiences that you'll have to observe, however they do not feel very emotional. You also very quickly forget the whole murder-time-loop thing, as it carries absolutely no relevance to the events and in fact doesn't even get an answer in the end, as the main story twist of Lynri's life takes precedence. In fact, the big reveal carries no emotion from the character who is supposed to be experiencing these memories for the first time, from a person who was very close to them. Without getting into spoilers, the game does obviously tie back to the overarching plot of the series, but it happens late, and the twist actually renders most of the experience meaningless. You also explore her life in a linear fashion, rather than jumping back and forth, which reduces tension and payoffs. You may as well be reading a visual novel, and Quincy need not be there. And because he is alone, for the majority of the time he has nothing to say or add to the experience. First off, there is no aspect of altering the memories Quincy simply explores everything that Lynri has gone through. There are a multitude of reasons of Impostor Factory doesn't work as an effective story. It may also remind players of the 'Hang the DJ' episode from Black Mirror. The game then returns to the familiar framework of the previous games, as you explore her memories, being a passive observer this time around. And thus begins his long journey through her memories, from her childhood and into adulthood. Without much fanfare, Lynri shoves Quincy through a door that she says will 'explain everything'. Turns out, he is in a memory simulation that has encountered a bug, and seems to be stuck in a loop. After a few more resets, Quincy finally corners Lynri and demands an explanation. This potential for some sort of time-looping murder mystery is actually a false start. But upon exiting the bathroom, things look strange – everyone is fine and it's as if nothing ever happened. Shocked with fear and unable to revive them, he rushes to wash his hands. The elderly owners leave the room, and after a chat with Lynri who asks some strange questions, Quincy also exits – only to find the bloody bodies of the owners in the hallway. After meeting with the butlers and a bot that cooks rice, he greets the owners of the mansion, who are chatting with a woman named Lynri. However, he seems to be the first guest to arrive at the pricey but rundown mansion. But let's try – this time around, players assume control of a man named Quincy, who has been invited to a fancy party. It's difficult to delve into the details of the narrative without spoilers because it's one of the reasons you'll want to play the game, and it's also where the fundamental structure shift happens.

Which brings us to Impostor Factory, a game that one may call a misfire.

It goes without saying – the previous games remain highly recommended, and remain as relevant as ever. There was also a mystery developing about the background and relationship between them. propelled every scenario forward through thoughtful, witty banter. The previous games tackled a lot of personal, heavy, and even philosophical subjects and handled them excellently, and the pairing of the two Drs. The pair enter the minds of their clients, passively observe the memories of their life, and make adjustments to make the patients feel relieved, happy, or whatever the situation calls for – perhaps no changes at all. The setup is extremely intriguing, as proven by the excellent storytelling of the previous two games. The company specializes in altering the memories of its dying patients. Neil Watts, scientists who work at Sigmund Corp.

#IMPOSTOR FACTORY SOUNDTRACK SERIES#

For the uninitiated, the series follows Dr.

Impostor factory soundtrack